{"id":17112,"date":"2021-12-07T16:59:23","date_gmt":"2021-12-07T15:59:23","guid":{"rendered":"https:\/\/dhd-blog.org\/?p=17112"},"modified":"2021-12-07T16:59:23","modified_gmt":"2021-12-07T15:59:23","slug":"conf-das-kunstmuseum-im-digitalen-zeitalter-jan-17-21-2022-online","status":"publish","type":"post","link":"https:\/\/dhd-blog.org\/?p=17112","title":{"rendered":"CONF: Das Kunstmuseum im digitalen Zeitalter (Jan 17\u201321, 2022; online)"},"content":{"rendered":"\n

Online-Konferenz | Online Conference<\/strong><\/p>\n

Das Kunstmuseum im digitalen Zeitalter \u2013 2022 |\u00a0<\/strong>The Art Museum in the Digital Age \u2013 2022<\/strong><\/p>\n

Mo, 17.01.2022 \u2013 Fr, 21.01.2022<\/strong><\/p>\n

Das Belvedere Research Center setzt seine Tagungsreihe zur digitalen Transformation der Kunstmuseen mit der vierten Veranstaltung zum Thema fort. W\u00e4hrend der pandemiebedingten Lockdowns stellten digitale Formate nicht mehr blo\u00df eine m\u00f6gliche Erweiterung des Ausstellungsraums, sondern schlicht den einzigen Weg zur \u00d6ffentlichkeit dar. W\u00e4hrend die Schwerpunktsetzung unserer Konferenz von 2021 der Pr\u00e4misse einer krisenbedingten R\u00fcckbesinnung auf die eigenen Sammlungsobjekte nachging, soll es diesmal jenseits bin\u00e4rer Konzepte um Fragen wie Medienspezifizit\u00e4t, Hybridit\u00e4t und Mixed Reality gehen. In f\u00fcnf Themenbl\u00f6cken setzen sich die Beitr\u00e4ge der Online-Konferenz damit auseinander, wie das Digitale und das Analoge der Museumswelt produktiv, konzeptuell und \u00e4sthetisch miteinander verwoben werden k\u00f6nnen.<\/p>\n

The Belvedere Research Center is continuing its conference series on the digital transformation of art museums with its fourth event on the topic. During the COVID-19-lockdowns, the digital presence of museums was no longer merely one possible extension of exhibition spaces, but rather the only way to reach the public. While our conference in 2021 focused on the crisis-related (re)turn to one\u2019s own collections, this time it shifts to questions beyond binary concepts, such as media specificity, hybridity, and mixed reality. In five thematic blocks, the lectures deal with how the digital and the analog can be productively, conceptually, and aesthetically interwoven in a museum setting.<\/p>\n

Anmeldung | Registration:
https:\/\/www.belvedere.at\/digitalmuseum2022<\/a> (english version<\/a>)<\/p>\n

Konferenzsprachen | Conference Languages: Deutsch & Englisch \/ German & English<\/p>\n

Konferenzkomitee | Conference Committee: Christian Huemer, Ralph Knickmeier, Anna-Marie Kroupov\u00e1 (Belvedere, Wien), Liz Neely (Georgia O\u2019Keeffe Museum, Santa Fe), John Tain (Asia Art Archive, Hong Kong), Chiara Zuanni (University of Graz)<\/p>\n

Konferenzpartner | Conference Partners: Museumsbund \u00d6sterreich, ICOM \u00d6sterreich<\/p>\n

Hashtag: #digitalmuseum #belvederemuseum<\/p>\n



PROGRAMM | PROGRAM<\/strong><\/p>\n

MO | MON, 17. 1. 2022<\/strong>
17:00<\/strong> Begr\u00fc\u00dfung & Einf\u00fchrung | Welcome & Introduction<\/em>
Stella Rollig; Christian Huemer; Anna-Marie Kroupov\u00e1 (Belvedere, Wien | Vienna)<\/strong><\/p>\n

PANEL 1: AUDIENCE ENGAGEMENT<\/strong>
Moderation: Sabine Fauland (Museumsbund \u00d6sterreich | Austrian Museums Association, Graz)<\/p>\n

17:20<\/strong> Everyone\u2019s and Just Yours. Wikimedia, Audience, and Openness at the National Gallery of Art, Washington<\/em>
Benjamin Zweig (National Gallery of Art, Washington D.C.)<\/strong><\/p>\n

17:45<\/strong> Die MuseumsMenschen-App im Schaudepot. Ein intergeneratives, partizipatives Pilotprojekt an der Schnittstelle von analog und digital<\/em>
Hanna Brinkmann; Anja Grebe (Donau-Universit\u00e4t Krems); Melanie N. Lopin (Stadtmuseum Korneuburg)<\/strong><\/p>\n

18:10<\/strong> Sonic Enhancement of Virtual Exhibits<\/em>
Paola Di Giuseppantonio Di Franco; Michael Tymkiw (University of Essex)<\/strong><\/p>\n

19:00 KEYNOTE LECTURE<\/strong>
Moderation: Christian Huemer (Belvedere, Wien | Vienna)<\/p>\n

The Universal Museum and its Digital Expansion<\/em>
Max Hollein (The Metropolitan Museum of Art, New York)<\/strong>


DI | TUE, 18. 1. 2022<\/strong><\/p>\n

PANEL 2: VERWOBENE WELTEN | INTERWOVEN WORLDS<\/strong>
Moderation: Nicole High-Steskal (Donau-Universit\u00e4t | Danube University Krems)<\/p>\n

17:00<\/strong> Das Verh\u00e4ltnis von original-digital-virtuell<\/em>
Werner Schweibenz (MusIS, Universit\u00e4t Konstanz)<\/strong><\/p>\n

17:25<\/strong> Digital Ekphrasis. Creating Emily Dickinson\u2019s Cultural Heritage<\/em>
Kayla Shipp (Emory University, Atlanta)<\/strong><\/p>\n

17:50<\/strong> Virealit\u00e4t. Modus Operandi digitaler Kunstvermittlung der Hamburger Kunsthalle<\/em>
Anja Gebauer; Katharina Hoins; Andrea Weniger (Hamburger Kunsthalle)<\/strong><\/p>\n

18:15<\/strong> Rethinking the Collection Catalogue. Hybrid Publishing at<\/em>
the Nelson-Atkins Museum of Art<\/em>
Brigid M. Boyle (Nelson-Atkins Museum of Art, Kansas City)<\/strong>


MI | WED, 19. 1. 2022<\/strong><\/p>\n

PANEL 3: STRATEGISCHE DIMENSIONEN | STRATEGIC DIMENSIONS<\/strong>
Moderation: Anna-Marie Kroupov\u00e1 (Belvedere, Wien | Vienna)<\/p>\n

17:00<\/strong> Surfen als Bedingung von Online-Kunstrezeption. Ausstellungsformate im Spannungsfeld digitaler Infrastrukturen<\/em>
Heiko Schmid (Z\u00fcrcher Hochschule der K\u00fcnste; Hochschule Luzern)<\/strong><\/p>\n

17:25<\/strong> Eine Kategorisierung von Augmented Reality in der Museumspraxis<\/em>
Carina Doppler; Jakob Ossmann; Kasra Seirafi (Fluxguide, Wien)<\/strong><\/p>\n

17:50<\/strong> Emerging Virtual Spaces. Alternative Models for Displaying Collections Online<\/em>
Ellen Charlesworth (Durham University)<\/strong><\/p>\n

18:15<\/strong> Kryptokunst & Museum. Beispiele einer Beziehung<\/em>
Carola Korhummel (Universit\u00e4t Wien)<\/strong>


DO | THU, 20. 1. 2022<\/strong><\/p>\n

PANEL 4: SOZIALPOLITISCHE RELEVANZ | SOCIOPOLITICAL RELEVANCE<\/strong>
Moderation: Chiara Zuanni (Universit\u00e4t | University of Graz)<\/p>\n

17:00<\/strong> Computing the Museum. Experiments in Algorithmic Co-curation<\/em>
Giulia Taurino (Northeastern University, Boston)<\/strong><\/p>\n

17:25<\/strong> Museums and the Future Social Web<\/em>
Lukas Fuchsgruber (Technische Universit\u00e4t Berlin)<\/strong><\/p>\n

17:50<\/strong> \u201eNOOOO PUT ME BACK I was next in line for the immersive van gogh exhibit\u201c. Immersion: zur performativen und partizipativen Rezeption historischer Kunst<\/em>
Charlotte Reu\u00df (Universit\u00e4t f\u00fcr angewandte Kunst Wien)<\/strong><\/p>\n

18:15<\/strong> User Experience of Art Exhibition in the \u201eNew Normality\u201c. Innovative Methods of Research in Terms of Global Change<\/em>
Marta \u015awietlik (Polish Academy of Sciences, Warsaw)<\/strong>


FR | FRI, 21. 1. 2022<\/strong><\/p>\n

14:00 WORKSHOPS (ROUND TABLES)<\/strong><\/p>\n

Je nach aktueller COVID-19-Situation werden die Workshops entweder vor Ort im Belvedere 21, Wien, oder online abgehalten. Die Konferenzteilnehmer:innen werden \u00fcber Anmeldem\u00f6glichkeiten vorab informiert.<\/p>\n

Depending on the current COVID-19 situation, the workshops will take place either on site at the Belvedere 21, Vienna or online. The conference participants will be informed about the registration options in advance.<\/p>\n

PANEL 5: VIRTUELLE ERWEITERUNGEN | VIRTUAL EXTENSIONS<\/strong>
Moderation: Richard Kurdiovsky (\u00d6sterreichische Akademie der Wissenschaften, Wien | Austrian Academy of Sciences, Vienna)<\/p>\n

17:00<\/strong> From Lock-Down to Innovation. Welcome to the World\u2019s First Gigapixel Museum<\/em>
Sandra Verdel (Mauritshuis, Den Haag)<\/strong><\/p>\n

17:25<\/strong> From Palmyra to Pompei. The Dynamics of Display of Virtual Archaeological Sites in Museum Exhibitions<\/em>
Isabella Archer (\u00c9cole du Louvre, Paris; University of Poitiers)<\/strong><\/p>\n

17:50<\/strong> VR in the Museum. Reconstructing Difficult Heritage of Modern Architecture<\/em>
Georgios Artopoulos (The Cyprus Institute, Nicosia)<\/strong><\/p>\n

19:00 PODIUMSDISKUSSION | PANEL DISCUSSION<\/strong>
Moderation: Christian Huemer (Belvedere, Wien | Vienna)<\/strong><\/p>\n

Suse Anderson (George Washington University, Washington D.C.)<\/strong>
Carolyn Royston (Cooper Hewitt, Smithsonian Design Museum, New York)<\/strong>
Jeffrey T. Schnapp (metaLAB (at) Harvard, Cambridge)<\/strong><\/p>\n\n\n","protected":false},"excerpt":{"rendered":"

Online-Konferenz | Online Conference Das Kunstmuseum im digitalen Zeitalter \u2013 2022 |\u00a0The Art Museum in the Digital Age \u2013 2022 Mo, 17.01.2022 \u2013 Fr, 21.01.2022 Das Belvedere Research Center setzt seine Tagungsreihe zur digitalen Transformation der Kunstmuseen mit der vierten Veranstaltung zum Thema fort. W\u00e4hrend der pandemiebedingten Lockdowns stellten digitale Formate nicht mehr blo\u00df eine […]<\/p>\n","protected":false},"author":302,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[65,33,1372,423,558,650,733,716,193,277],"class_list":["post-17112","post","type-post","status-publish","format-standard","hentry","category-allgemein","tag-conference","tag-digital-humanities","tag-digital-methodik","tag-digitale-kunstgeschichte","tag-digitale-methoden","tag-digitale-sammlungen","tag-digitales-museum","tag-digitales-sammlungsmanagement","tag-konferenz","tag-museum"],"_links":{"self":[{"href":"https:\/\/dhd-blog.org\/index.php?rest_route=\/wp\/v2\/posts\/17112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dhd-blog.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dhd-blog.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dhd-blog.org\/index.php?rest_route=\/wp\/v2\/users\/302"}],"replies":[{"embeddable":true,"href":"https:\/\/dhd-blog.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17112"}],"version-history":[{"count":2,"href":"https:\/\/dhd-blog.org\/index.php?rest_route=\/wp\/v2\/posts\/17112\/revisions"}],"predecessor-version":[{"id":17114,"href":"https:\/\/dhd-blog.org\/index.php?rest_route=\/wp\/v2\/posts\/17112\/revisions\/17114"}],"wp:attachment":[{"href":"https:\/\/dhd-blog.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dhd-blog.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dhd-blog.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}